Had a little drama at the last HeatSync Labs meeting when one of the members was filling up a balloon with helium…
In a Blink of a Metal Eye
Stunning 300fps video of robot carnage at the 2010 RoboGames. I never built a robot that was this tough and dangerous but I did see my fair share of sparks and flying metal at numerous events. If you have the chance and like ‘bot on ‘bot action make sure you seek out the next robot combat event near you.
[via MAKE]
“NASA’CAR” Rocket Racers Take Off
I’ve been waiting a while for news of this. It’s fantastic that a demo has finally made it off the ground, please pardon the pun… Not too sure about the ‘play in the stands’ notion, that might be too much of a gmick for the spectators to handle.
A single rocket racer flew in front of the aviation crazed crowd at Oshkosh, Wisconsin, in 2008 with its short bursts of rocket power allowing the pilot to climb and maneuver unlike a traditional airplane. As one of the test pilots explains in the video after the jump, it’s full throttle or nothing at all, giving pilots a boost of power…
BeetleCam Wildlife PhotoBot
Very neat. I once did this with an old VHS-C camcorder and was fascinated by the results. Watching video shot with a wide angle lens that is only six inches off the ground is actually quite captivating.
“We booked a trip to Tanzania and set about designing, building and testing BeetleCam. The first step was to get up to speed on the necessary robotics and electronics that would be required to build such a vehicle from scratch. Having conducted some research, we sourced components from around the world. Construction then began in earnest with sawing, soldering, sewing and super gluing taking place around the clock in Will’s garage.”
Burrard-Lucas Blog Wildlife Photography.
via MAKE
LOREO 3D Lens in a Cap
Normally I don’t like the idea of using a beam splitter to take 3D photos but this lens from Loreo looks like it has a few features that would change my mind.
“3D photographers will be familiar with trying to take closeup photographs with wide image pitch 3D devices. The 3D effect depends on the parallax between left and right images, but too much parallax makes for unnatural 3D, which is difficult to fuse. A 3D lens with a 50mm stereo base is very good for 3D photographs in which the subject is 1.5 – 3 meters away. At the same distance, a 90mm stereo base 3D lens would produce image pairs with excessive parallax, where left and right images are too wide apart to fuse. The 50mm stereo base lens however would not be capable of producing spectacular 3D at 5 meters or more away.”
The parallax compensation while focusing is the big thing that got my attention. As the ad copy says excessive parallax will mess up a 3D photo. My only wish would be that the lens would communicate it’s f-stop to a digital camera so you could use aperture priority to make it easier for faster shooting.
The Awesome Beauty of Time Lapse DSLR video…
Stomacher – Untitled/Dark Divider from Sean Stiegemeier on Vimeo.
Using well over 20,000 photos (most are three photo high dynamic range composites) photographer Sean Stiegemeier used the motorized head from a telescope (broke two doing the entire video) to create these beautiful motion control shots for this music video. The video for the band “Stomacher” was shot on Canon 5D, 5DmkII, Anamorphic 35mm. I hope to have more information about this video in the future. Make sure you see the high def version of the video!
More of Sean Stiegemeier’s videos on Vimeo.