Such a wonderful mix of tilt-lens camera work and time lapse technique.
“It is shot on a Nikon D3 (and one shot on a D80), as a series of stills. I used my Tamron 17-50mm f/2.8 and Sigma 50-150mm f/2.8 lenses for all of these shots. Most were shot at 4fps in DX crop mode, which is the fastest the D3 could continuously write out to the memory card. The boats had slower frame rates, and the night shots used exposures up to two seconds each. The camera actually has an automatic cut off after 130 shots, so for longer shots I counted each click and quickly released and re-pressed the shutter release after 130 to keep shooting.”
Even if you are not a professional web developer and can only just cut and paste enough HTML to make a web page not totally suck these 30 tips are something that you should read. Lot’s of good practical advice, stuff like closing your tags and if you use inline styles an asteroid will strike you dead (not really but inline styles are still a bad idea). Read it and remember it the next time you are working on your magnum opus ‘Hello World’ page.
If it wasn’t for the talents of Roger Dean, Chris Foss, Mobius, and countless others, where would our science fiction books get their amazing cover art? In ‘Sci-Fi-O-Rama’ you can take a leisurely jaunt through the countless dimensions of hyperspace and huge space ships and just soak in all those fantasy worlds.
Brighten up your desktop with stunning shot of science imagery. Over 80 to choose from at various dimensions to fit even the most ’embiggened’ of monitors. There are even instructions on how to apply this as a desktop to your computer if you were wondering how that sort of thing was done. Space craft, planets, satellite pictures of Earth, there are enough pretty pictures to make most everyone happy.
So, what does this thing do? The primary function of this array is to capture the Light Field, a four-dimensional function that is capable of describing all rays in a scene. Surrounding you, now, and always, is a reverberating volume of light. Just as sound echoes around a room in complex ways, bouncing from every surface, so does light, creating a structured volume. Traditional, single-lens cameras project this three dimensional world of reflected light onto a two dimensional sensor, tossing out the 3D information in the process, and capturing only a faint, sheared sliver of the actual light field. By taking many captures at slightly shifted locations, it is possible to capture a crude representation of the light field. The number of slices determines the resolution of capture; our 12 captures at 7cm separation is a bare minimum. What can you do with a light field? The lowest hanging fruit is computational refocusing. By computational refocusing, we mean focusing the image AFTER it is captured.